At the onset of this commission,
I knew that the first painting I chose to do would set the tone
for all the other pieces in the "Defenders of Our Freedom"
series. And because I'd not done military art in any form before
this, the first piece would have to prove to the folks at the
Eastern Nebraska Veterans Home who had placed their trust in me
and to myself, that I was actually capable of this project. We
were all sort of holding our collective breath.
With that in mind, I needed for this first piece to pose the least
amount of difficulty. Basically that means having readily available
the most and the best quality of images, reports and stories of
personnel and equipment with which to conduct my research. The
current war in Iraq was the obvious choice. And as I started the
research the U. S. Marine Corps seemed to me to be exactly the
right service for this work. I was then set to begin.
Conceptually, I chose not to represent a single battle in this
war, but to try to capture the essence of what it's like to be
a proud Marine fighting to protect our freedom in Iraq. With my
drawing approved, transferred to canvas and about 3/4 of the painting
complete, the first true test of whether I had even come close
to this lofty goal arrived. It arrived in the form of a young
man named Patrick, the nephew of a dear friend who visited my
studio. This young hero had just completed his second tour in
Iraq as a U. S. Marine, where he earned a Purple Heart. There
couldn't have been a better test for this artwork.
Patrick stood examining my painting in silence for what seemed
to me to be an eternity. I was terrified. Slowly he turned to
me and said only on word … "Wow!". I almost screamed
with relief. We then spent the next hour or so talking about night-vision
goggles, humvees, helicopters, knee pads and sand. …. I'd
done it! … I'd gotten it right! …
Patrick now owns a print of "Answering
the Call". |